An instrument schedule: a chart that lists each lighting instrument separately along with the details of its type, wattage, purpose, filter color, the dimmer it will be plugged into and the ciruit that will control it.A vertical section plot: a cross-section of the stage and set drawn to scale showing the vertical sightlines and the height and position of each instrument.A lighting plot: a scale drawing of the stage and set as seen from above showing the planned layout of each lighting fixture to be used.Paintings and photos showing the mood and style of specific lighting techniques and are gathered through research.The planning tools lighting designers use include: When the blocking is set, the lighting designer can start to work out which lighting instruments will be used and where each one will be located. Lighting designers attend rehearsals to get a feel for the lighting cues and to plan how to light the actors as they move from place to place on stage.
The plan for the set may influence the placement and direction of the necessary lighting instruments, so flagging any potential problems in this area as early as possible makes sense. Early meetings with the set designer are also important because the set and lighting designers must collaborate on how to achieve the desired "look" for the play. Designer and director share their ideas about how light could be used to enhance the production concept at their first meeting. The lighting designer begins by reading the script to be produced noting the type of light it calls for in each scene.
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Shift emphasis from one stage area to another.Lighting designers know how to make the best use of the subtle and powerful medium of light, creating effects that can be changed at will to match the mood of the action.Īt its most basic, stage lighting functions to make the actors and their environs visible to the audience.
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